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Critically Acclaimed & Critically Accused: How the response to The Hunting Ground perpetuates rape culture

Posted by On Tuesday, November 24, 2015

The Hunting Ground is a documentary that shares the stories of sexual assault survivors from universities across the country. It not only focuses on the incidents themselves, but the aftermath of the assaults in which their institutions did little to nothing to remediate the situation, and oftentimes retraumatized the survivor by insinuating blame or not believing the survivor’s story.

The Hunting Ground connects the dots to show that campus rape is an epidemic, and that focusing on one individual story, or even one individual institution, isn’t doing justice to the issue. It also frankly discusses the corporatization of higher education and doesn’t shy away from the industrial components that interplay with campus sexual assault.

The film portrays much of what we know to be true about campus sexual assault. Many of the survivors who are featured discuss that the person who assaulted them was someone they knew. Many of the survivors also disclosed that they were hesitant to report through their campus and that they have yet to tell their families. Many survivors shared that the incident involved either members of athletics or Greek life. And sadly, nearly every survivor shared that their school’s response was lacking, harmful, and insufficient.

Unfortunately, the film also shows us something else that we know to be true: people are unwilling to believe survivors. Despite having a Rotten Tomatoes score of 92%, the media response to the film has been highly critical, with journals and newspapers staunchly attempting to disprove the stories of survivors, and by calling the film “inaccurate and incomplete,” “poorly substantiated,” and as “spreading myths.”

As found in the Association of American Universities climate survey results, less than a quarter of incidents are reported. The most common reason for not reporting sexual assault was that it was “not considered serious enough,” with high numbers also in feeling “embarrassed or ashamed” and “did not think anything would be done.”

When much of the public discourse around a film about campus sexual assault is disbelief and contention, what is to encourage survivors to report their assault? The Hunting Ground attempts – and succeeds – in showing the epidemic of campus rape, but ironically it is the response to it that succeeds in showing a broader rape culture that permeates beyond college campuses to our entire society.

Instead of discussing the broader implications of the vast amount of evidence and personal stories that The Hunting Ground presents, critics have narrowly focused on trying to disprove two of the most high-profile incidents presented. The acute simplification of focusing on these two cases, one involving a prominent college football quarterback and one involving an elite law school, does a few things. First, it misses the point of the film. By focusing on a couple cases, the representation of campus sexual assault as an epidemic is overlooked. By attempting to prove that the stories presented are inaccurate or incomplete, critics are perpetuating the societal problem of the overestimation of false rape reports. For those who are interested, the actual percentage of false reporting of rape tends to fall between 2 and 8%, which aligns with the rate of false accusations for other felonies.

Second, the narrow focus on challenging the two most high-profile cases replicates some of the main institutional problems that the film details. Even though there seems to be strong public support for the film itself – as displayed by the acclaim from Sundance, Entertainment Weekly, Metacritic, and Rotten Tomatoes – media and public discourse have tried to coopt the story by focusing on a sliver of what is truly an epidemic. Perhaps it is no coincidence that the majority of attention has been focused on these two cases; the two where the American society has the most to lose. There seems to be a willful ignorance that is reinforcing the sense that when the accused institution or individual is high-profile, with high societal regard and yielding high profits, the public is predisposed to doubt the survivor. Not only is the survivor unlikely to be believed, but there is a heavy investment in advocating for the innocence of the accused, even going as far as to blaming and shaming the accuser. When the fault in a sexual assault case lands upon a person or institution that is highly funded, positively regarded, a national symbol of success, etc., there is little chance that the survivor will come out on top.

But maybe there is hope. Is any attention good attention when it comes to these issues? The survivors who present their stories in The Hunting Ground have decided to put the cause before themselves. They have become activists and have sacrificed their personal well-being to do so. The individuals seen in the film have received threats, are constantly being questioned and challenged, and in many cases are being portrayed in negative light. However, they have also forced the issue of campus rape into the national headlines. They have put the rape epidemic on the map and are forcing the media and public to take note. As campus administrators, invested community members, and social justice educators, we owe something to these, and all, survivors. An easy way to remember how to support survivors is through the acronym HEAL: Honor, Empower, Accept, and Listen. The following screen shots from Think About It are a good baseline for how to respond when someone discloses sexual assault. If you hear people challenging the stories of the survivors in The Hunting Ground, remind them of these suggestions.

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